Top 10 new camera rumours for 2010
New and updated: we name the DSLRs, digital compacts and hybrid cameras that could be released before Christmas 2010
Here at PhotoRadar, we like to deal with fact rather than rumour. But we hope you'll indulge us as we get stuck into a spot of crystal ball gazing. What does 2010 hold in the way of new camera launches? You're about to hear our predictions...
1) 24-megapixel Nikon D700X
Rumours of a higher resolution version of the Nikon D700 were circulating as early as February 2009, and Nikon certainly needs to act quickly to keep up with the Canon EOS 5D MkII. The D700’s 12-megapixel sensor may be great at high ISOs, but the difference in resolution compared to the 21-megapixel EOS 5D MkII is painful. At the top end of the range, Nikon’s split its original D3 into a high-resolution model (D3X) and high-speed version (D3S). Logic suggests the venerable D700 is now ripe for the same treatment. Some sources suggest the D700 won’t get the same 24-megapixel sensor as the D3X in case it undermines its sales, guessing at 18MP or so instead, but Nikon didn’t worry about that when it launched the D700 alongside the D3, so why would it worry now?
Nikon D700X rumour update May 2010: Still no news from Nikon on this one, but there’s increased promotional activity in the UK, which is the usual precursor to a new model. Anyone buying a Nikon D700 between May 1st and June 30th 2010 can claim a free MB-D10 battery grip with a list price of £340. But what if we don’t get a Nikon D700X after all? What if we just get a Nikon D700S with a bit more speed and a higher ISO? Ho hum.
2) APS-C format Canon PowerShot G12
Canon showed with the PowerShot G11 that it wasn’t afraid to step back from the brink in the megapixel war, and the G11’s improved high ISO performance and excellent definition prove what everyone’s been saying all along – that you can’t increase megapixels without increasing the sensor size. And it could be that the G11 is only an interim measure for Canon and a stepping stone towards a much more radical camera, and that an APS-C format PowerShot is on the way. That’s not such a wild idea. Olympus and Panasonic have shown the level of interest which exists in larger-format compacts, and Samsung’s been bouncing around the NX concept camera for a while now. We think it’s not a question of if, but when.
Canon PowerShot G12 rumour update May 2010: There’s no sign of a big-sensor PowerShot G11 replacement just yet, and both Samsung and Sony are now shipping APS-C compacts. But an April Fool’s prank re-posted on a number of well-known websites put forward a barmy but actually rather tantalising alternative. Why not releaes a Canon full-frame compact hybrid? Everyone else is using APS-C sensors, so this might be a chance for Canon to seize the high ground again. Shame it’s not true...
3) Canon EOS 1Ds Mk IV
Once, the position of Canon’s EOS 1Ds was unassailable. Now it’s under threat both from rivals (Nikon D3X, Sony Alpha a900) and its own stablemate the EOS 5D MkII which, let’s not forget, has the same resolution as the 1Ds and an HD movie mode. A new version of the 1Ds is long overdue and some sources are suggesting it may have a radical new square 36 x 36mm sensor. This would retain compatibility with Canon’s EF lenses but offer a larger image area and the advantages of classic square medium format cameras (flexibility in cropping, no need to rotate the camera for different orientations). If Canon took this bold step it would be a showstopper, but at the very least we should expect an increase in resolution and a full HD movie mode.
EOS 1Ds Mk IV rumour update May 2010: Nothing to report here, alas, despite all the talk of square sensors (thanks to keithgg for the point about sensor sizes in the comments below, by the way, and the more likely 30mm maximum). It’s all guesswork right now, revolving around DIGIC V processing, huge resolution hikes and whopping frame rates. One thing’s for sure – Canon needs to do something.
4) Nikon D7000
Nikon’s been refreshing its non-professional DSLR range and the D90 is the last of the old guard left. Technically, there’s little wrong with it, but the model name and some of the features are out of step with the camera below it. The D5000 is cheaper, for example, but has the same sensor and an articulating LCD. We’re not expecting any increase in resolution because Nikon’s only just launched the 12-megapixel D300S, so we predict a cosmetic redesign and a few routine updates. The logical name for the new model is the D7000 and we expect a larger body than the D5000 but an articulating 3-inch 920,000 pixel LCD and some carefully-judged performance advantages. Nikon will be aiming for the D90’s existing market – advanced amateurs who want professional levels of quality and features but in a lighter and less expensive form than the D300S.
Nikon D7000 rumour update May 2010: Nikon has introduced a £60 cashback offer for any Nikon D90 bought between May 1st and June 30th 2010, which does hint that it’s nearing the end of its commercial life, though no further details have solidified about any replacement. The suggestion that Nikon might drop the integral AF motor has, however, caused howls of protests from Nikon fans with ‘legacy’ lenses.
5) Fujifilm S7 Pro
Fujifilm launched its high dynamic range SuperCCD SR sensor in 2003 but chose its compact cameras as a test bed before incorporating it into a digital SLR, the FinePix S3 Pro. This was a great camera and the subsequent S5 Pro (which shared the same sensor) was even better. Now Fujifilm has moved on, developing its new high-resolution, high-sensitivity, high dynamic range EXR sensor. This has successfully debuted in a range of compact cameras (F70EXR, S200EXR) and if history’s any guide we can expect an EXR SLR in 2010. Is Fujifilm still interested in the DSLR market? If so, what are the odds of a brand new 24/12-megapixel S7 Pro?
Fuji S7 Pro rumour update May 2010: For a while there was some talk of a Four Thirds format EXR sensor, but this seems to have been discredited. In fact there’s been nothing from Fujifilm to suggest it’s still interested in DSLRs. It’s been so long since the launch of the S5 Pro that this is now looking like the end of the line rather than a big build-up. But people feel strongly. You can even sign an online petition...
6) New rumour! Panasonic LX4
May 2010: The much-loved Panasonic LX3 compact is surely due for replacement, and the arrival of the Micro Four Thirds G-series cameras doesn’t really dent its appeal because it’s not only a whole lot cheaper but a fraction of the size (try fitting a GF1 with a 14-45mm zoom in your trouser pocket). The 1/6.3-inch sensor delivers better quality than the average compact, the 24-72mm equivalent zoom is perfect for candid and street photography, you get the full PASM exposure modes of a DSLR and RAW files too. So why do we think there’s a new LX compact coming? Panasonic has released a ‘sensor roadmap’ that shows plans for a new ‘high sensitivity’ 1/1.8-inch sensor for development later in 2010, and a ‘version II’ in 2011. Now where would that go except in an LX3 replacement?
7) New rumour! Sigma DP3
May 2010: Sigma is rumoured to be developing a mirrorless compact camera system based around its own Foveon sensor. We’ve already got the Sigma DP1 and DP2, of course, but these have non-interchangeable, fixed focal length lenses, which restricts their appeal. Technically, there seems no reason why Sigma should not be able to do this quite easily. The company has long experience in both camera and lens manufacture and there’s nothing in the design of the DP1 and DP2 to suggest a removable lens would be a major technical hurdle. The only problem is the timescale. Compared to other makers, Sigma’s camera development cycles are positively geological. We’re still waiting for the SD15, after all, which must be some kind of record given that it was announced in September 2008.
8) Olympus E-5
It looks as if we can expect a new Olympus DSLR body in 2010, but will it be a replacement for the ageing Olympus E-3 pro DSLR or yet another mid-range/enthusiasts body? Most of the Olympus news has concerned its mid-range cameras and Micro Four Thirds, but the company has also invested heavily over the years in its professional lens range, so it would be a suprise if it gave up on this sector of the market just yet. And yet the current E-3 relies on Olympus’s old 10-megapixel MOS sensor, which is nowhere near as good as the 12-megapixel sensor in the newer models, so it badly needs a refresh. So will we get a new pro Olympus body? And, even more interestingly, will it be a Four Thirds SLR or a mirrorless Micro Four Thirds ‘SLR’ instead?
Olympus E-5 rumour update May 2010: Still no news on this one, but as Olympus beefs up its range of Micro Four Thirds cameras, which are aimed at beginners and mid-range users, it seems likely that any DSLR development will happen at the top end of the range. Interestingly, Olympus has pointed out publicly that a ‘mirrorless’ design and digital SLRs are not incompatible. We could see a mirrorless 12-megapixel Olympus E-5 DSLR which takes regular Four Thirds lenses.
9) Nikon APS-C compact
We’ve heard rumours of a Canon APS-C compact but there’s also talk of a 12-megapixel Nikon APS-C model too, though none of it’s coming from Nikon. The rumours appear to originate from comments made by a Leica representative discussing the sensor in the Leica X1 and have been seized upon and extrapolated by digital camera forums around the world. But is it such a wild guess? In fact, isn’t it a little surprising that Nikon hasn’t made a 12-megapixel APS-C compact already? If Canon does come up with an APS-C sized PowerShot next year, then all eyes will quickly turn to Nikon. Let’s not forget that Nikon was once just as famous for rangefinder cameras as SLRs. Olympus isn’t the only camera maker with an illustrious non-SLR heritage ripe for exploiting.
Nikon APS-C rumour update May 2010: The silence is deafening, though keen patent-watchers have noted designs filed by Nikon which include a diagram of what appears to be a mirrorless body and a series of lens specifications which suggest a format slightly smaller than Micro Four Thirds. But patents aren’t products, and if Nikon’s highly conservative approach to its DSLRs carries through into its R&D, we could be waiting for a while.
10) Sony Cyber-shot R2
Sony’s short-lived Cyber-shot R1 was launched in 2005 and disappeared off the radar not long after that as mainstream digital SLRs captured the public’s imagination instead. But it was a remarkable camera with a 10-megapixel APS-C sized CMOS sensor and 5x 24-120mm Carl Zeiss zoom with no mirror but an articulating LCD and full time live view. It was ahead of its time, and we wonder if Sony knows it. What if Sony is planning a new version? Let’s call it the Sony Cyber-shot R2. Let’s say it has a 12x fixed (non-interchangeable) 12x super-wideangle zoom, articulating 3-inch 920,000 pixel LCD, 1.4-megapixel EVF, full HD movies and the 10fps continuous shooting and sweep panorama modes of the Cyber-shot HX1. Interesting, eh?
Sony Cyber-shot R2 rumour update May 2010: Well, we didn’t get the Cyber-shot R2 (hey, there’s still time!), but we did get the Sony NEX-3 and NEX-5, which have blasted through the whole announcement/launch/shipping process in record time. But what are Sony’s APS-C compacts going to do to the low-end Alpha D-SLRs? We predict a slow and low-key decline littered with price cuts and twin-lens kits.
Rumoured cameras – now released!
Digital cameras that were previously rumoured on our list, but which are now a reality:
Panasonic G2/GH2
We said: Panasonic’s proved the worth of the Micro Four Thirds sensor with the G1, the GH1 and the GF1, but is that 12-megapixel sensor enough? In 2010 we think we’re going to see Panasonic (and Olympus) upping the stakes. So what’s it to be – 14 megapixels, 15, 16? There’s nowhere to go with the sensor size, after all, but there is scope for improvement in resolution, build, continuous shooting speed and features for pros. We could see G-series cameras diversifty into different sectors of the market in the same way as Olympus has developed a whole range of Four Thirds digital SLRs. Panasonic has to move quickly because there’s no reason why APS-C sensors can’t be used in compacts too.
Update May 2010: There are no signs yet of a higher-resolution Micro Four Thirds sensor, but that doesn’t mean it’s not going to happen some time during 2010. In the meantime, Panasonic has stuck with the existing 12-megapixel sensor and split its original G1 into the Panasonic G10 (cheaper and aimed at beginners) and the Panasonic G2 (much more advanced, with touch-screen autofocus/shooting controls). If a higher-resolution sensor doesn’t happen this year, Panasonic will be able to keep its Micro Four Thirds range fresh by launched the GH2, a revised version of its full-HD stills/movie hybrid and perhaps a GF2 version of its Micro Four Thirds compact. This could be a year for consolidation and enhancement rather than big strides forward.
Samsung NX10
We said: The problem for Samsung is that it announced the NX series so long ago, and so little has happened since, that the press and the public alike have rather gone off the boil. In the meantime, Olympus and Panasonic have debuted their rather good Micro Four Thirds cameras and kickstarted this new hybrid market on their own, so that by the time the NX10 does arrive in early 2010 its newsworthiness may be limited. The main features are known already: an APS-C format 14.6MP sensor in a mirrorless body with an electronic viewfinder and interchangeable lens system. Other highlights include 720p HD movies, 3-inch AMOLED screen and two colours, Noble Black and Titan Silver.
Update May 2010: The Samsung NX10 has arrived pretty much as expected and with no surprises in the specifications, though the small size of the body and its design, finish and handling have proved impressive. A lot has happened since the NX concept was announced, though, and Samsung will have to move quickly. We predict consolidation of the lens range during 2010 but new models as early as Xmas 2011. The NX10 is already good enough to hold its own against the Micro Four Thirds cameras from Olympus and Panasonic, but Sony’s NEX-3 and NEX-5 pose a stiffer challenge – the NX10 is outnumbered 2-1 already. Samsung may follow Panasonic’s lead and split the NX10 into a cheaper, more basic model (NX1?) and a more advanced mid-range version (NX20?).
Posted by Rod Lawton on Tuesday, 18th May 2010 at 04:12pm GMT.
Whilst the larger sensor in a Canon G12 will appeal, the inclusion of video will not. I don't want video features, but I have this on G9 and G10, unused, pointless in my case. Canon Please! No video function in the G12. Knock something off the price, or sell a cheaper video free version. Give me f/16 instead.
Dave T.
#1. Posted on Thursday, 31 Dec 2009 at 04:00pm GMT. Report this
I don't understand the push to add video to slr's...if you want video, buy an hd camcorder....RRR
#2. Posted on Friday, 01 Jan 2010 at 12:41am GMT. Report this
I use my 1D as a SLR never even used the live view I do not want video if I did I too would buy a camcorder
#3. Posted on Friday, 01 Jan 2010 at 01:14am GMT. Report this
I suspect that the m4/3rds concept could soon (mid 2011?) see the appearance of a Pro body, containing separate processors for still and video shooting, with output for a (seperately powered) really top-notch EVF or laptop-sized screen. News agencies and the media in general, are probably pushing their journalists to deliver both types of media, and the m4/3rds format, offering a compact system where the interchangability of optics between both, results in a dramatic decrease in equipment to lug around and switch between, could make this a highly desirable piece of kit.
#4. Posted on Friday, 01 Jan 2010 at 02:18am GMT. Report this
You are stuck with video. No camera company would dare ship a new dSRL or higher-end compact or hybrid without in the future. Less knowledgeable customers buy based upon features, and leaving it off would lose untold sales and would have no effect upon price.
Dave. Unless you have a 36×48mm sensor, you really do not want f/16 unless you are a 19th century pictorialist who really likes soft pictures. Diffraction at f/16 has reduced resolution by at least 50% on a full frame camera and much more seriously on an APS-C camera. Compact cameras are usually at their best wide-open or down one stop at the most. A matter of physics - not design. In general, the smaller the sensor the wider the aperture at where diffraction begins to limit the lens.
Pick a few lenses and check the test results at http://www.dpreview.com/lensreviews/ Watch the graphs plummet once you pass f/8.0 or f/11.0. Fast primes can peak as low as f4.0 while slower zooms peak a couple of stops beyond. in the Watch the sharpness graphs plummet once you pass f/8.0 or f/11.0.
Medium format or a scanning back on a view camera are the only practical cameras that can still maintain a bit of sharpness at f/16. Even with a full frame camera, my primes are never stopped beyond f/5.6 and the zooms between f/8.0 and f/11.0 max.
larry!
#5. Posted on Saturday, 02 Jan 2010 at 07:31am GMT. Report this
Sorry guys, but if Canon were to change their full-frame 36 x 24mm sensor to square format, for the 1DS Mk IV, then it could only be about 30mm square. The 43mm diagonal cannot go any larger for EF lenses.
#6. Posted on Saturday, 09 Jan 2010 at 12:37pm GMT. Report this
I've been using a Panasonic GF1 since mid November 09 and find the AVCHD Lite video mode very useful . I would now never buy a camera without video mode,unless it were a Leica !
#7. Posted on Friday, 22 Jan 2010 at 07:37pm GMT. Report this
#1 would be a nice update for one that looking for alternative of D3X and still want to use its pop-up flash. A pro would definetly go with either D3, D3X or D3s.
# 9 that's the one I've been waiting..! Nikon really should get their digital pocket updated so they can deliver something that was really good like Canon's G 11 or Lumix LX3. It's a nice thing that you can use your equipment you bought for your DSLR and use it on your digital pocket just like Canon does with its G series. A combination of P6000 body, G11 low noise and LX3 large aperture will be the one I've ben wanting for so long.
#8. Posted on Saturday, 23 Jan 2010 at 05:58am GMT. Report this
All of you seem to really know what you're talking about, so I'm hoping at least one of you can help me... I've never used an SLR camera, but I'm getting sick of the crappy quality I continue to get with my digital point-and-shoot cameras. I've used every brand from Canon to Sony to Olympus and every range of megapixels from 5 to 10 but I am still seeing the same result. The pictures look fake, the lighting always seems to suck, and if I try to zoom in after the picture has been taken, the result is extreme blurriness. I don't think I want a real SLR camera, but I've heard good things about hybrid cameras - the best of both worlds. I'm certainly not a professional photographer, but I'd love something that takes really crisp and clear photos of my family and such. I want something that's small enough to lug just about anywhere (mall, parks, etc.). I also need pretty good video recording. And of course, a decent price. I know it's a pretty demanding list, but I hope there's SOMETHING out there for me. Thanks in advance!
#9. Posted on Tuesday, 25 May 2010 at 04:31am GMT. Report this
All of you seem to really know what you're talking about, so I'm hoping at least one of you can help me... I've never used an SLR camera, but I'm getting sick of the crappy quality I continue to get with my digital point-and-shoot cameras. I've used every brand from Canon to Sony to Olympus and every range of megapixels from 5 to 10 but I am still seeing the same result. The pictures look fake, the lighting always seems to suck, and if I try to zoom in after the picture has been taken, the result is extreme blurriness. I don't think I want a real SLR camera, but I've heard good things about hybrid cameras - the best of both worlds. I'm certainly not a professional photographer, but I'd love something that takes really crisp and clear photos of my family and such. I want something that's small enough to lug just about anywhere (mall, parks, etc.). I also need pretty good video recording. And of course, a decent price. I know it's a pretty demanding list, but I hope there's SOMETHING out there for me. Please email me at tokidoki.luverrr@gmail.com with any suggestions you may possibly have. Thanks in advance! :)
#10. Posted on Tuesday, 25 May 2010 at 04:35am GMT. Report this
Sorry for posting twice, just wanted to make sure I included my email.
#11. Posted on Tuesday, 25 May 2010 at 04:36am GMT. Report this
For those who can't see the appeal of video, I use digital compacts for underwater photography. I like/need the flexibility of having a multi-purpose setup, after all, you can not just pop up to the surface when you decide that a subject is usefully captured on video as well as still. Carrying multiple underwater housings is not practical, and they are expensive enough anyway. What I need is a camera with adjustable white balance, good low light sensitivity (reduced sensor density in the form of less megapixels), HD video, RAW and relatively wide angle.
#12. Posted on Thursday, 15 Jul 2010 at 10:09pm GMT. Report this







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